LOST Podcast: The Transmission

Not once, but twice in relatively quick succession, Unlocke observed tonight that there was a lot of catching up to do. He wasn’t kidding. “The Last Recruit” moved briskly, touched on a myriad of mysteries, and served up more explosions and twists. But the delicate balance of plot and character definitely felt askew, and along with all the forward velocity, there were moments that seemed to lose traction. At the end of last week’s episode, we felt the stage was set for the final sprint. Tonight’s tale had a lot of flash, but it still feels like we’re waiting for the big show. And with a week off before the next new episode, “The Last Recruit” definitely left us wanting more.

In the flash-sideways, the inevitable collision of our wayward survivors was aggressively accelerated. Sun makes her connection with the island world when she spots Locke on the next gurney. And Jack gets his hands on Locke’s dural sack without a consult. And by the close of our multi-faceted tour of Los Angeles, Kate, Sawyer, Miles, Sayid, Jin, Sun, Jack, Claire, Desmond, Locke, and Ben are clearly interconnected. But can they all be unified and even embark on a plan in the few hours ahead?

I did like Jack’s renewed connection with David, as well as the interplay between cop Sawyer and fugitive Kate, perhaps the strongest character moments in the episode. Seeing Ilana turn up as a lawyer the week after she was blown up on the island was fun, but It still doesn’t make up for her untimely end. Desmond’s actions are again curious, though. Why was he going to see a lawyer? At first we guessed it was just a ruse to point Claire toward Jack, drawn from post-flash omniscience. But he knew Ilana, and had an appointment. Perhaps she’s just corporation counsel for Widmore Industries?

On the island, our unified camp of survivors doesn’t last long, as Sawyer executes his plan and separates Unlocke from several of his precious candidates. It serves the Man in Black right for entrusting a key part of his plan to a con man. Of course, on “LOST,” it can’t be that simple, and after another long look at the ocean, Jack decides that his work’s not done, and jumps overboard. As soon as he returns to the island, Unlocke is there to claim him.

Is Jack “The Last Recruit”? He seems pretty set on confounding Unlocke, but he is also told twice that he’s already “with” him. Claire told Jack that his mistake was letting Unlocke speak. And after Unlocke rescues a dazed Jack from a huge explosion — reminiscent of Claire’s crossing over in New Otherton — he also tells Jack, “You’re with me, now.” I’m wondering if Unlocke is now back to square one… or if there’s a chance that Jack was really the only candidate he needed.

In terms of answers, Unlocke confirms to Jack that he had appeared as Christian Shephard soon after the crash. As with the explanation of the whispers last week, though, the answer seems to bring more questions. Was the Man In Black portraying Christian in Jacob’s cabin? (Probably.) Visiting Jack off the island? (Probably not?) Telling Locke to turn the donkey wheel? (Probably.) Talking to Sun and Frank about the DHARMA Initiative? (Probably not, since at the same time, the Man In Black was Unlocke with the Ajira crew, and supposedly “stuck” in that form.) And a few weeks ago, it seemed significant that Claire described her father and her “friend” as two separate entities. Did she just not know she was in the middle of a puppet show?

And while Unlocke’s darker nature seems even more pronounced now, I’m struck by what he told Jack: he appeared as his father to lead him to water. In retrospect, it does seem to be what the vision accomplished way back in Season 1. And Unlocke also brought water and food to Richard at the Black Rock. Of course, he wanted something from Richard, and still wants something from Jack. But I found the tiny shard of implied benevolence interesting.

Jack was trapped on the island before he even got there? Absolutely. All the Man in Black wanted to do was help them leave? I’m not sure. I think Jack is right to question why he wants them gone, and just how their continued presence is a threat.

While Sawyer was ready to write off Claire and Sayid, both seemed to get a glimmer of hope tonight. Claire’s homicidal urges toward Kate seemed to subside (again) as she was welcomed aboard the escape boat, and Sayid’s hesitation after returning to Locke suggests that talking to Desmond may have reawakened some humanity within him.

Sayid’s character is definitely an empty one now, with even Sawyer dismissing him as a zombie. We’re hoping for a tragic and sad end, or a heroic final turn, but this blank-faced moping around has got to stop. At least Hurley suggests that redemption is possible, invoking what seems to be a contractually obligated “Star Wars” reference. (A reference that pop-culture wise-ass Sawyer inexplicably doesn’t recognize.) Anakin Skywalker turned against his dark lord in a climactic battle, so perhaps Sayid will do the same.

And, yes, at long last, Sun and Jin were reunited. As we’d feared, the overextended separation and the episode’s rushed pace robbed the moment of much of its dramatic power. Actually, the portable sonic fence on the beach seemed to have been purposely situated between them as they ran toward each other, and we were half expecting there to be yet another cheesy contrivance to keep them apart one more week. Fortunately, they embraced and declared their love… but the writers let Lapitas channel David Caruso with a smirking one-liner that deflated whatever emotional power was left in the scene.

Why did Widmore call off the deal with Sawyer? Why does anyone on Team Widmore think missiles are an effective weapon against Unlocke? Where has the spirit of Jacob been all this time, and what is Unlocke’s ultimate plan? And how are we going to survive two weeks before getting our next shot at answers?

• The conversation between Unlocke and Jack was a powerful one. When Unlocke said John Locke was stupid, and a sucker, at first I felt it was just adding insult to injury when it came to one of the most interesting and promising characters on “LOST.” But then I started to think (or hope) that they were actually setting John Locke up to be vindicated somehow. I hope so.
• Off the island, we learn that Locke’s wheelchair actually saved his life. Jen said it reminded her of how losing his kidney saved his life when he was shot by Ben.
• Flash-sideways Kate emphatically insists she’s innocent. And if the flash-sideways are going to ultimately suggest happier lives for our survivors, it would make sense that she is. Notice that Sawyer offers Kate an apple in the police station. A reference to Eve and the Garden of Eden? Or is it just an apple?
• Sawyer’s observation that it’s “weird” how he and Kate ended up crossing each others paths reminded us of Jack remarking to Kate in “316” that it was “crazy” to see that they were all back together on an airplane.
• We loved how cool Unlocke was when the first warning missile struck in the jungle. The huge explosion behind his unflinching figure called to mind the moment he blew up the submarine in Season 3.
• Zoe’s conversation with Unlocke, in which Unlocke says he has no idea what she’s talking about, is a direct mirror of the conversation Unlocke has with Widmore over a similar situation in “The Package.”
• Miles says his last name is Straum. So even though he’s got a good relationship with his museum-managing dad, Dr. Chang, there’s still a kink or two in that family tree.
• Ilana’s last name is Verdanski. Couldn’t think of how that might be significant, if only in comparison to Radzinski and Minkowski.
• Hurley says, “People are trying to kill us again.” Just like old times.
• Sawyer gets of at least one notable nickname: Chesty. It was funny how he referred to Lapitas as a guy who looked like he stepped out of a Burt Reynold’s movie… but it was an unusually clunky line of dialogue where “the pilot” probably would have sufficed.
• Locations: The office building where Claire, Desmond, Jack, David, and Ilana came together was Pauahi Tower in downtown Honolulu. The hospital where Sun and Jin and Jack and Locke turned up was the Rehab Hospital of the Pacific (though I think the ambulance bay and emergency entrance was Kuakini Hospital). The house where Sayid was captured by Sawyer and Miles is on Waiohinu Drive in Kahala. The “old pier” where Jack and his group boarded the Elizabeth was Coconut Island in Kaneohe Bay.

How did you like “The Last Recruit”? Favorite moments? New theories? Please comment below and join the conversation. You can also call and leave a brief (ideally, one-minute long) message on the LOSTLine at (815) 310-0808, or email us at lost@hawaiiup.com.

“Everybody Loves Hugo” brought some memorable moments, from touching to downright shocking. We got a good dose of pyrotechnics, and a surprisingly blunt explanation to the perennial mystery of “the whispers.” Once again we saw some of our characters part ways, but we also saw our candidates come together sooner than we’d anticipated. And perhaps in keeping with the inherent intensity of this final season, this Hurley-centric episode was fortunately not overloaded with comic relief. Yet, on the heels of an epic Richard Alpert tale and a brain-busting Desmond episode, this week’s entry felt more like the sharp intake of breath before a grand declaration, a mechanically necessary repositioning of game pieces for the few chapters remaining ahead.

On the island, Unlocke unpacks a little bit more of his game plan… or at least fleshes out his cover story. The candidates’ return to the island was possible only together, and so then must they be reunited to leave. I’ve been wondering if Widmore’s return was to exploit the island, rather than to do the right thing… but now that Unlocke says Widmore is only after power, I’m more inclined to think he might actually be trying to save the world, after all. It seemed telling when Unlocke agreed with Desmond that the island had it in for everyone. And UnLocke, of course, had it in for Desmond. The way Terry O’Quinn’s face twitched moments before pushing Desmond down the magnetic well sent shivers down Jen’s spine. But despite Desmond’s fall, I’m confident we’re not quite done with our favorite Scottsman.

I enjoyed Hurley’s double bluff, first pretending to back Richard’s plan (only to blow the Black Rock to bits), then pretending to get direction from Jacob. It was great to see Richard called him on the ruse (“Jacob never tells us what to do”), and to see Hurley still play it cool. And in terms of repeating themes and scenarios, we again see sides chosen, and a group dividing in the forest. Miles and Ben follow Alpert, while Jack, Sun, and Frank follow Hurley. It’s a nice coincidence that Hurley’s fellow candidates chose to go with him, and that doesn’t bode well for what may be our last splinter group.

Jen is definitely warming up to Jack, though I’m not sure how to read his turn in this episode. He also knew Hurley was bluffing, but still went along with him because he’s concluded it’s time to trust other people. There are some things he can’t fix. That’s a good lesson for control-freak Jack, I suppose, but the epiphany sounds very similar to the one he had in Season 5. During his DHARMA days, he decided not to act, but rather wait for his moment. That didn’t turn out so well, so… now he’s going to take even less initiative? That’s not going to work, since Jacob told Hurley that Jack indeed has something he needs to do.

Michael’s return was odd. It provided some catharsis in his apology to Hurley, but the big “reveal” seemed really underplayed. Tonight, Hurley suddenly concludes that “the whispers” are essentially the voices of the dead “who can’t move on,” and Michael says he’s right. Is that it? The island is purgatory, after all? Over the past five seasons, there seemed to be some significance to when and where the whispers were heard (by people who don’t otherwise have communion with the dead), and a fair amount of theorizing was based on meticulous transcripts of what they were saying. My favorite theories involved DHARMA experiments or some other group of “observers,” or maybe a side-effect of time travel (or even the flash-sideways). I’m hoping there’s more to them, but probably not.

Even odder was the abrupt departure of Ilana. Kudos to the writers for avoiding another Arzt joke, but her death certainly frustrates people like me, who had just begun to accept that this “new character” was key to the bigger picture through her off-island connection to Jacob. The writers even let Ben comment on this curious development. But, he concludes, the island was merely done with her, and it will likely soon be done with everyone. We’re definitely sensing a theme, here.

And what to make of Miles? He finally has another conversation with Hurley about talking to dead people, but his own expertise is not even mentioned. And while Hurley seems to conclude that “dead people are more reliable” than the living, I’m wondering why Hurley isn’t more skeptical. His first reaction to Michael seemed the natural one. But something changed Hurley’s mind, and led him to blow up the Black Rock. What was in the bag he found in the camp? And while trying to blow up the plane was a plan that was apparently going to get everyone killed, walking right into Locke’s camp was also a heck of a gamble.

Their arrival was, in fact, foretold by Unlocke when he told Sawyer, “There’s a difference between doing nothing and waiting.” He knew the other candidates would come to him. And I was glad to see both groups reunited tonight, though. I’d assumed we’d have to wait for the finale. Can Sun and Jin’s reunification be put off much longer?

For those clamoring for a resolution to the Libby storyline, the flash-sideways in “Everybody Loves Hugo” brings direct relief. It doesn’t explain how she came to be in the institution with Hurley in the original timeline, but who cares? It was worth it to see Hurley struck by lightning in the Mexican restaurant, and to see him finally see “the truth” on their long-delayed picnic on the beach. In some respects, the flash-sideways felt like one giant checkmark on the long list of “LOST” mysteries. But Jorge Garcia and especially Cynthia Watros sold it. The date was nice, but I was actually a bit misty-eyed during the rec room scene when Libby again heard that Hurley had no memory of her. It’s hard to imagine what depth her character might have brought to the show had Libby survived beyond Season Two.

The final scene, though, was a hell of a twist. The tension was built masterfully, with Ben rightfully suspicious of a man staking out a school parking lot, and Desmond’s fixation on Locke as he wheeled his way past. Then, bam! Locke is flat on his back, in shock. I was half expecting the scene to close with a close up of his toes.

It is curious, though, that Desmond was content to subtly suggest that Hurley go with his instincts in his curiosity about Libby, but then decides to take a much more direct role in Locke’s introduction to “the truth.” Whereas Hurley’s connection with Libby echoes the “love” invoked for Charlie and Claire (and Desmond and Penny, and Daniel and Charlotte), poor Locke had to get the “near death experience” treatment instead. Presumably, “love” would be less effective for Locke, given his good relationship with Helen in the flash-sideways, but… how would Desmond know? And how is he, so far, picking out our island survivors from among the hundreds of presumably innocent or uninvolved people aboard Oceanic 815?

Notes and Notions:

• The opening slideshow, narrated by Dr. Pierre Chang, was fun. It seemed to include a few real-world photos of Jorge Garcia. He got his dog, Nunu, onto “LOST” via the shot of him in front of the Hawaiian Humane Society (its logo clearly visible). And I’d bet those were real baby pictures, too.
• I liked how even “lucky” Hurley was intimidated by talking to women, a trait that goes back to Starla at the record store in Season Two. I don’t know what happened to his blind date, Rosalita, but it was also nice to hear that Grandpa Tito is apparently still around in the flash-sideways.
• Jen loved how subtly Henry Ian Cusick played the faint moment of confusion after Desmond immediately came up with the name “Charlie” for his son when confronted by Ben.
• It’s a small thing, but I love how one of the extras (a long-haired Asian woman) looked perplexed in the scene where Hurley meets Desmond in the Mr. Cluck’s restaurant. Hurley yells, “What?” And we see her clearly reacting as if Hurley might be yelling at her, rather than Desmond. A lot of times, background extras in scenes are a little too oblivious to the action we’re watching. It was a nice touch.
• The creepy boy, who Desmond saw, is back to haunting Unlocke. His smile was disconcerting, taunting, in the same vein of his earlier admonition, “You know the rules. You can’t kill him.” The more we see of him, the more he seems like a young Jacob. Gloating Jacob.
• After Locke’s “Blow Up Everything That Can Get Us Off The Island Tour,” tonight we had the “Blow Up Everything (and Everyone) That Can Blow Up Everything That Can Get Us Off The Island Tour.”
• What is Unlocke the Wood Whisperer carving? Claire already has a crib for her scary squirrel baby. Part of me would like to see him recreate Mr. Eko’s carved “Jesus Stick.”
• Looks like Richard’s back to declaring, “We’re dead, we’re all dead!”
• Books: The Russian book Hurley found among Ilana’s belongings was “Notes from the Underground” by Fyodor Dostoyevsky. Wikipedia says it is considered by many to be the world’s first existentialist novel.
• Locations: The awards ceremony was filmed at the Koolau Golf Club/First Presbyterian Church in Kaneohe. The “fajita fieldtrip” to Spanish Johnny’s was filmed at Bandito’s Cantina at Pearlridge. The Santa Rosa Mental Health Institute was again the YWCA on Richards Street downtown, and Mr. Cluck’s Chicken Shack was again the Popeye’s Chicken on Dillingham Boulevard. The beach where Hurley and Libby had their date was the west end of Ala Moana Park. And the parking lot where Desmond met Ben and hit Locke was August Elementary School in Waipahu. And, of course, the slideshow included shots of the Hawaiian Humane Society, the Honolulu Zoo, and the box company exterior at Gentry Pacific Design Center.

What did you think? We’d love your thoughts for our podcast. Please comment below, and share your reaction, thoughts, theories and theories with fellow fans. Or, you can email us at lost@hawaiiup.com, or call the LOSTline at (815) 310-0808.

After a near half-season absence, Desmond returns to the foreground this week, and not surprisingly, his story is once again a game changer. As the only person to survive a cataclysmic magnetic event, he is key to Widmore’s plan on the island. And in the flash-sideways, he gets a taste of “the truth” from Charlie, and will be the one to finally bring our wandering, disconnected survivors together. In this final chapter of “LOST,” the end game has never been in sharper focus. And yet we’re still confounded as to what happens next.

“You felt it, didn’t you?” So love is all you need… to see beyond the edges of the universe. Charlie, choking on his drugs, sees (presumably) Claire from the original timeline and realizes that nothing else matters, that nothing else is real. Desmond, after nearly drowning and getting zapped in an MRI machine, sees Penny and the birth of Charlie. Daniel falls in love at first sight with Charlotte, and he gets a brainload of quantum physics. I would guess that the intensity of premature labor and natural, maternal love is what connected Claire with the name Aaron earlier this season. And now Desmond wants to share his revelation with the rest of the passengers on Oceanic 815.

Forgetting for a moment that few people will be receptive to an invitation to have a near-death experience (breath-holding exercises? elective MRI scans?), it bears noting that not everyone in the flash-sideways world would give up their lives for the ones we know they had in the original timeline. If “redeemed dad” Jack somehow gets a glimpse of “Oceanic Six” Jack, for example, I don’t think he’ll be as convinced as Charlie and Desmond that the vision is “the truth.”

In fact, now that our flash-sideways characters are becoming aware of the original, island timeline, the question is whether the opposite will happen. Will Unlocke or Jacob show our LOSTies a glimpse of their sideways selves? Will the final sides in the war be determined by which timeline each character wants to win out?

And the fact that Desmond has a plan in the flash-sideways now suggests that the fate of our characters might not only be decided on the island. Widmore’s high-powered test tonight suggests that his final play involves another failsafe-level release of magnetic energy. But his insistence on a timeline, coupled with how things may soon unfold in the flash-sideways, make me think that something big will happen on both sides simultaneously.

Finally, Eloise. She still seems to be the most in-the-know in any timeline. Her shock at seeing Desmond, supposedly for the first time, was palpable. And the way she turned from surprisingly understanding to angry and frustrated was telling. Desmond is not ready. And for him to start asking questions is not just wrong, but a “violation.” A violation of rules? Of time and space? We shall see.

Notes and Notions:

• “Intense” is the word of the evening. Desmond enduring the energy test was as wild as any climactic moment in “LOST,” and could easily rank as an iconic image through all of science fiction. And Desmond’s claustrophobic MRI flash scene was also powerful.
• Seeing flashes of Charlie drowning once again still put a lump in my throat. But that’s an emotional card the writers probably can’t play much longer.
• The contrast between Desmond’s two lives — globetrotting businessman with no attachments versus loving husband and father — could have probably been drawn a little more subtly. Why would he want Charles Widmore’s approval more than anything else in the world, if there wasn’t a Penny to motivate him? Still, the moment where Widmore let him have a sip of MacCutcheon was great.
• On the other hand, was there something more to the fact that Desmond had no family to declare as an emergency contact? His lack of daddy issues, or even mommy issues, remains one of the biggest blank spots among our characters’ backstories.
• The MRI machine definitely had a little bit of smoke monster in it, at least in terms of sound design. And actually, the smoke monster probably has more in common with MRI machines than you’d initially think.
• I’m not entirely clear if sideways Daniel thinks setting off a bomb was a good idea or not, though he definitely doesn’t want to do it again. He does seem to know that Jughead did detonate, and that it was key to creating “some other life.”
• Daniel is a Widmore, and Penny is not (if she was, indeed, the “Penny Milton” of the mysterious guest list). And the two are half-siblings, as many suspected was the case in the original timeline. Presumably Penny is still Widmore’s first daughter by another woman, but the whole family seems to be pretty even keeled.
• Will we ever learn who Penny’s mother is? I’m not sure. I think giving her the name “Milton” is a way of saying it doesn’t matter. John Milton is the author of “Paradise Lost.”
• I’m not sure there’s much more to George Minkowski turning up as Desmond’s driver, either. But I’m a fan of the cameos.
• With Daniel now a musician, the number of likely suspects for the person who programmed the computer in The Looking Glass underwater station has doubled. It always seemed poetic that Charlie be somehow responsible for the “Good Vibrations” code, but Daniel works too.
• On the island, I’m not entirely sure why Desmond went with Sayid so willingly. Maybe you just don’t want to mess with a killer with a knife? But the way he was so at peace after the energy test makes me think he’s now absolutely convinced of his importance in the universe, and simply doesn’t see Sayid (or anyone) as a threat.
• Locations: So many! The baggage claim was at Honolulu International Airport. Widmore’s office was built inside King Kalakaua Plaza, also known as the former Niketown Honolulu building, in Waikiki. The Airport Courthouse was the State Attorney General’s Office building on Queen St. off Punchbowl St. The bar, “Jax,” was Anna Bananna’s near University Avenue. The marina where Charlie and Desmond drove into the water was the Ala Wai Yacht Harbor behind the Ilikai Hotel. The hospital where Desmond, Charlie, and Jack turned up was Hawaii Medical Center East on Liliha Street. The museum where Eloise was staging her concert was Bishop Museum. And the stadium where Desmond met Penny was Aloha Stadium.

But that’s just us. How did you like the episode? We’d love your feedback! Please share your reactions, theories, favorite moments and other thoughts from “Happily Ever After” below, and join in one of the best post-episode conversations you’ll find anywhere. You can also e-mail us at lost@hawaiiup.com, or leave a brief message on the LOSTLine at (815) 310-0808.

Last week’s lavish, lingeringly shot episode was a tough act to follow, but “The Package” still satisfied. For those seeking forward momentum on the island, we certainly got some, and the flash-sideways brought some great moments. Overall, it was a fun ride, but one with an undercurrent of uneasiness… both in the narrative and in “LOST” fandom. Just why is Sayid’s dead soul best prepared for what’s to come? And just how will everything be untangled in the next six episodes? It may be the drugs talking (I’m battling bronchitis), but I’m at peace. The many ways in which this final season has evoked the drama and richness of the first one is more than reason enough for me to surrender to whatever happens.

Locke and Widmore’s confrontation on the beach brings us our declaration of war, and Jin’s first look at Ji Yeon reduced me to a puddle of goo. And as suspected, Widmore’s arrival does bring some solace to those eager for some “science” in their science fiction, with Zoe the physicist asking about the island’s pockets of magnetism. The long-overdue final reveal that Desmond is apparently the key to Unlocke’s defeat ((telegraphed pretty bluntly with “it’s not a what, it’s who”), is at once thrilling and perplexing. Will the mere presence of Desmond cause a rift in the space-time continuum? Is Desmond the only person who can wield the dagger against an otherwise invincible Unlocke?

And what does “cease to be” mean? As a description of the dire consequences, it rings a little hollow. It sounds less like Armageddon, and more like a “Back to the Future”-esque nullification of existence.

One answer, four more questions.

The fact that Sun cut her hand while gardening cannot be insignificant. And having her lose her ability to speak English seems a move straight out of daytime soap operas, so I’m hoping there’s more to it. Coupled with the post-Unlocke pursuit blackout, I’m wondering if she might soon follow Sayid’s path.

I also loved Unlocke’s conversation with Claire, at once rationalizing why he saved Kate from her rage earlier, and resetting the stage for another confrontation. His disavowal of whatever might happen adds another sinister point against the Man in Black being merely a misunderstood prisoner.

Off the island, I was about to roll my eyes in frustration at just how hard the writers were trying to point out how not together Sun and Jin were (“Two rooms! Not married!”), when of course Jin’s discomfort was merely preemptive defensiveness all along. Turning the iconic fight over Sun’s blouse buttons into a seductive move was a brilliant one, in my book. And I’m glad that even in the flash sideways, escaping together was part of the plan. Mr. Paik, though, is one cold dude.

I liked Keamy’s turn this week, from his dismissiveness toward Omar to his fleeting moment of compassion for star-crossed Jin. Jin shooting Mikhail’s eye out was a gruesome yet amusing twist. The way the restaurant confrontation connected with Sayid’s earlier story was a nice touch, but it seems deliberate that he was, at best, only indifferently helpful to Jin.

And Sun, pregnant? But of course!

• Let’s ponder the line referenced tonight from Widmore to Locke: “Because there’s a war coming, John. And if you’re not back on the Island when that happens, the wrong side is going to win.” Is it safe to assume Widmore meant real Locke, not Unlocke? If so, is the wrong side going to win? Or did Widmore just find another out with Desmond?
• Claire was not on the list. Kate is no longer on the list, but is vital to collecting those that are. So, why does Unlocke need three more people to get on the plane? Or does he merely need to dispose of them together?
• So, Sawyer tells Jin that the double-cross deal with Widmore was the real deal, not the double-double-cross deal he seemed to make with Unlocke upon returning to the main island. Is it as simple as that? I guess so, given his disappointment in Unlocke’s return. I think I liked it better when his allegiance were more ambiguous.
• Miles’ cruelty toward Hurley, harping again on his weight, was upsetting. But I couldn’t be mad for long, with Frank’s admonition: “Hey. Don’t talk about bacon.”
• Jen’s favorite line: “No, ’cause that’d be ridiculous.” Ah, the powers and limits of the Smoke Monster, always fun to ponder. I think it echoes a Miles line from the time travel period, but I’m not sure.
• Unlocke telling Sun that he’s not going to make her do anything, and that he’s merely asking her, is yet more emphasis on free will. The line between “forcing” and “asking” seems pretty fuzzy though. Is it just the candidates whose choices must be pure?
• Top anvilicious moment? The brief dialogue between Unlocke and Jin about the list of names. Now, after all these seasons, they explicitly point out that conversations happen off-screen? That people mysteriously learn facts we didn’t see them learn? It felt awkward.
• The night-vision moment that opened the episode was also a bit cheesy. It would’ve been cool if they’d depicted infra-red heat signatures, with everyone glowing except for Locke (and Sayid), but… no such luck.
• Speaking of which, I also couldn’t help wondering why the darts worked on Sayid and Claire. Just how human are those two? The attack, Jen felt, was reminiscent of the hail of flaming arrows last season… just less funny.
• Who’s Danny? Keamy and Omar’s associate, of Mikhail’s mutual acquaintance. The only Danny we can think of is Daniel Faraday.
• Locations: The airport where Jin is released is Pier 2 near Restaurant Row. The hotel where Sun and Jin stay in Los Angeles is the Turtle Bay Resort on the North Shore. The bank where Sun and Mikhail try to withdraw funds is the main branch of the Bank of Hawaii on S. King Street. And the kitchen where the showdown takes place is at the Koolau Golf Club.

We want your feedback on this episode! Please share your thoughts, theories, and favorite moments in the comments below. You can also e-mail us at lost@hawaiiup.com, or leave a one-minute-or-so message on the LOSTLine at (815) 310-0808. Mahalo!

It was the best of episodes, it was the worst of episodes. A tale of two LOSTs came to us tonight, and the chasm between fans who liked it and fans who didn’t will probably never be wider. Perhaps “Ab Aeterno” was a breathtaking, deep, and daring voyage into the heart of a man and, therein, the heart of the whole series. Or, perhaps it was merely an extended flashback for a secondary character that ended with absolutely no forward momentum on the island.

We choose the former. We loved this episode.

If only for tonight, we forgot about numbers and vaccines and time travel, and immersed ourselves in the story of Ricardus — the rich Spanish settings, the lingering moments of terror and despair aboard the Black Rock, the eternal chess game between the Man in Black and Jacob, and throughout, Nestor Carbonell’s fantastic performance. When Richard is visited by the form of Isabelle, we were enthralled. We couldn’t believe this eerie scene was part of the same show that started with a plane crash five years ago.

Before we even thought about where the pieces fit, “Ab Aeterno” reaffirmed our love of the picture being painted. In the end, will it be incomplete, fragmented, and confounding? We have no doubt. But six seasons in, “LOST” is still taking chances, posing big questions, and for that, we still think it’s the best show on television.

Nonetheless, the puzzle pieces demand some study.

No, the island is not hell, nor purgatory… yet it is the closest thing to it, in both the corporeal and metaphysical sense. Indeed, Alpert’s early declaration that they’re all dead is not entirely untrue. Souls come to the island to be tested, and have so far unanimously failed. Sounds like hell to us. We also learn that the island is a “cork” that keeps malevolence and evil contained, and that our survivors are pawns in an epic battle between darkness and its captor.

So: Before the Man In Black escapes, can the last of the candidates prove Jacob’s case? Can they demonstrate that people can choose the right path?

That seems to be “LOST” in a nutshell. The players and stories are simply human. Jack, Kate, Hurley, a Kwon… Their pasts don’t matter, yet obviously inform their future. But stakes are huge. Biblical, global, and universal. It seems impossible for “LOST” to satisfactorily resolve these grand themes in the next seven episodes, let alone a million other frayed threads. We’re afraid vindication may only come after re-watching the series from the beginning, after seeing everything through Season Six eyes.

Interestingly, we saw a distinct parallel between Richard’s failed attempt on Jacob’s life and Sayid’s failure to kill the Man in Black. The fact that both sides may be intent on murder certainly muddies the “good versus evil” waters. Also, even though we still don’t know what rules are in force (and thus what “loophole” Ben stepped through to finally stab Jacob), I was surprised by the suggestion that Alpert was the first to try. Coming to the island in the 1800s, his story already began much more recently than I’d assumed. Which means that the conflict has only recently turned ugly, maybe as Jacob’s candidates have started to run out.

On the questions checklist, meanwhile, we can cross out both “what destroyed the statue” and “how did the Black Rock end up in the jungle” with the same stroke. The physics seem a little iffy, but then again, there’s also a smoke monster on this show. Speaking of which, it’s now clear that said smoke monster “scans” people to find their motivations and weaknesses, if not also their usefulness. Conjuring dead wives, or daughters (Alex), or brothers (Yemi) is a useful power to get people to do things for you, and it’s a power that Jacob explicitly admits tonight that he lacks.

He can, however, grant immortality. And I’m curious why Alpert became Jacob’s ageless intermediary, when all who came before and after him were merely candidates to test. I’m guessing Alpert was a candidate himself, explaining why was he the only person on the Black Rock that the smoke monster didn’t kill. But did he end up extra special because he was the first to come at Jacob with a dagger, demonstrating to Jacob that he needed a helper?

And now, decades later, Richard is weak and tries to join the Man In Black. His dead wife, through Hurley, puts him back on track. Like Ben, he’s nearly led astray, but sticks with Jacob’s team. But also like Ben, I now wonder what else is left for him to do. I don’t know who’s going to be the last man standing against the Man In Black, but I’m pretty sure it’s not either of them.

We’re glad “LOST” took us on a ride into the past this week. But next week, we better rack up some serious mileage on the island.

Notes and Notions:

• Jen’s now fixated on Anthony Cooper. The man who appeared mysteriously on the island, and whom Ben prodded Locke to murder. With a knife. Quickly, before he had a chance to think. Was that whole scenario yet another “move” between Jacob and the Man in Black? And if so, who’s side did Anthony Cooper represent?
• Alpert’s backstory was almost flawless. But the ease with which the greedy doctor was killed was a bit silly. Coupled with Kelvin’s noggin knock at Desmond’s hands, it seems skulls on “LOST” are especially fragile.
• Now that we see even more significance and history to Alpert’s character, it’s hard not to think about some of the things he’s done in seasons past. The fact that he was merely a thug for Ben in “The Brig” seems ridiculous, as does his apparently pivotal role in “The Purge.” Was he acting in Jacob’s interests then? And how does that jive with his efforts to sustain a truce further back in 1977?
• Richard’s devotion to Isabella was well acted, but I couldn’t help but think it was an interesting choice to motivate him with his love for a spouse, rather than for a parent or especially a child. With all the generational issues explored on “LOST,” hanging things on a husband and wife bond seemed almost quaint.
• Some great, lighter moments: Richard’s almost girlish giggle when he’s asked what to do. Hurley telling Jack it’s not about him. And the look on the Man in Black’s face when Alpert hands him the white stone.
• The captain of the Black Rock was one Magnus Hanso. Presumably related to Alvar Hanso of the nearly forgotten Hanso Foundation, which funded the DHARMA Initiative. I wonder if this one mention of the Hanso name will be all we’ll see in the show from the Season 2 ARG? Or will the arrival of Charles Widmore open the door to a little more Hanso/DHARMA backstory?
• Lots of overtly Christian elements this week. God, the devil, a bible, a cross, sin, absolution and forgiveness, penitence… There was a lingering shot of Luke 4:24-29, in which Jesus asserts that prophets are often rejected in their own neighborhoods, and angers the people of Nazareth by telling them not to expect any special treatment even though he’s from their town. I’ll leave it to more qualified scholars to tease out how the passage applies to “LOST.” I’m also sure the nail Richard found on the Black Rock was symbolic, but don’t know how.
• At the end of Season 5, Jacob and the Man In Black see a ship sailing on calm seas in the middle of a bright, sunny day. Yet we now know the Black Rock arrived on a stormy night… delivered by a huge wave, no less. Presumably the first ship wasn’t the Black Rock, but one of many other vessels that Jacob has summoned.

What did you think? We’d love your feedback! Share your thoughts, theories, and reactions to “Ab Aeterno” via a comment below, e-mail us at lost@hawaiiup.com, or call the LOSTLine at (815) 310-0808.