LOST Podcast: The Transmission

Jacob falls. Jughead blows. Fade to white. Season five of “LOST” was a dizzying mix of sci-fi time travel, classic character flashbacks, and island mythology. All in all, a great ride, and one that has us hanging on for the sixth and final season in 2010. Though “The Transmission” is going to take a break for now, there’s too much to talk about to simply disappear into a magnetic pocket. We invite you to sound off on the season we’ve just seen, and continue the conversation with us and other listeners.

One More Show?

Depending on your interest, we may be able to assemble a “listener special” between the finale and Comic-Con in April. Of course, we want you to do all the hard work. You can share your thoughts here and via e-mail to lost@hawaiiup.com, but we’d love it if you’d contribute your voice via the new LostLine at (815) 310-0808. For best results, let us know who you are and where you’re from, and briefly answer one of the following questions:

• What did you think of Season 5 overall?
• What was your favorite moment… or least favorite moment?
• Top unanswered question going into Season 6 (and your favorite answer)?
• Favorite lines, quotes, or quips?

Even if a “listener special” doesn’t materialize, the comments here should offer great food for thought. Watch this space for news as Comic-Con approaches! As always, thank you for your support and participation. It makes everything worthwhile.

The Season 5 finale gave us the widest view yet of what’s been unfolding on the The Island, and for that, I’m thrilled. But the Season 5 finale also honed in on some of our character’s most petty failings, and for that, we’re both somewhat annoyed. Frankly, Jen was livid. I like the suggestion that we’ve been watching only the latest round in a perpetual battle between light and dark — one in which our survivors finally opened a “loophole” for the dark forces to gain the upper hand. I don’t like the idea that the huge, dramatic, cataclysmic detonation of the Jughead core we’ve been building up to all season came only as the result of more twists in the “para-love-ogram.”

Let’s start with what I liked. Though “like” is dependent entirely on the foolhardy presumption that my interpretation of what we’ve seen with Jacob is right. Based solely on the opening scene, no less. To wit:

Jacob is light, goodness, benevolence. His nemesis, yet unnamed, is dark, petty, judgemental. Perhaps for an eternity, they have battled on The Island. But they cannot vanquish each other directly. The Island is largely the chess board, and the pieces are men. Imperfect, flawed humans. By the time the Black Rock arrives, they’ve been through the cycle many times. Jacob summoned another group, believing they might avoid self destruction. Darkness says, “It always ends the same.”

So the Black Rock, the Dharma Initiative, perhaps even The Others, and most certainly the survivors of Flight 815… each group came to the island, struggled over leadership, and self destructed.

Richard Alpert, perpetual advisor, serves Jacob by trying to guide and protect whomever is the leader: Eloise (who Richard called his leader in 1977), Ben (whom Richard and perhaps Jacob felt was ultimately an inadequate leader), and Locke (who Richard presumed to be special, even if it was Locke that gave him that idea in the first place). Darkness, meanwhile, acts through visions, or actually possessing the form of the dead. Christian Shephard. Alex. Perhaps Claire. And, yes, the late Locke, whom we now know isn’t Locke. We’ll call him Dark Locke.

Jacob is compassionate and feels for these flawed people. He visits them, literally touches them, perhaps merely knowing their path, or perhaps steering them. However the cycle ends, he knows it must end.

But something happened with Oceanic Flight 815. Something about this last cycle was different. And the why and how are, most likely, part of what awaits in Season Six. Nonetheless, the combination of The Incident, of Desmond turning the failsafe, of Eloise sending them back on Ajira 316 but scattering them through time — this whole convoluted series events, the entirety of the last five seasons of “LOST” — has led us to the loophole. The loophole that allowed Darkness to vanquish Jacob, with Ben as his instrument.

What is the loophole?

I can only guess by guessing at the rules. Only the leader can enter the temple. There can be only one leader. And the leader, essentially, decides who wins. Darkness, through manipulating the leader with visions and the reanimated dead, has probably brought the leader to Jacob dozens or hundreds of times. Each time, the leader has probably arrived, ready to reject and kill Jacob. But once inside, alone, Jacob appeals to the leader’s better self, gives them a choice, and they always choose light.

Darkness found his loophole through Locke. I’m not sure exactly when, but Locke had been the key for a while. Locke eventually died. And, yes, Locke is still dead. But with his body returned to the island, Darkness was able to take the form of Locke, becoming Dark Locke, and bewilder everyone  — including Ben and, curiously, Richard — with his knowledge of The Island. He asserts many times that he is the leader. And he repeatedly taunts Ben for never having made the cut with Jacob.

Dark Locke brings everyone to Jacob. He, the supposed leader, goes into Jacob’s lair, and insists on bringing Ben. Why? Because Ben is the leader. Ben’s been the leader ever since he returned on Ajira 316 and woke up in the infirmary, because Locke is still dead. That’s the loophole. And Dark Locke, having goaded Ben during the entire journey, looses his jealousy and insecurity and rage, and Ben, the leader, stabs Jacob and throws him into the fire.

The end?

Of course not. With his last breath, Jacob says, “They’re coming.” Who? My guess, perhaps obviously, is that “they” are everyone misplaced in time, back in 1977, who are near the Swan and subjected to the universe-twisting combination of electromagnetism and a hydrogen bomb blast. My guess for Season 6 is that everyone is reunited in 2007, but Darkness rules The Island, and the epic battle will be these imperfect, flawed humans trying to vanquish him.

But I could be completely wrong.

For example, where does the smoke monster fit? Is it an agent of Darkness? I’m inclined to think so, since it does stand in judgment of men, finding them unworthy and destroying them much as I imagine Darkness would. It could also be the agent through which Darkness assumes the form of the dead, such as both Alex and Dark Locke in the temple. Jen’s question, though, is how Ben became familiar enough with it to use it for his own means. It may be more likely that the smoke monster is a free agent.

Where do Bram and Ilana fit? Given the riddle, I guess they’re aligned with Alpert, and therefore presumably Jacob. What role will they play? I certainly hope it’s something more significant than teasing viewers with a mystery box for half a season. And if we now know that Ilana always knew Locke was in that box, she was obviously not surprised by seeing Dark Locke eating a mango in “The Life and Death of Jeremy Bentham.” How can she not be surprised by Dark Locke, but Alpert be apparently merely suspicious? And could they actually be agents of Darkness? After all, in the opening scene in the ancient past, it’s Darkness who calls Jacob “my friend.”

And if we’ve actually been watching pawns on a chess board, manipulated by Jacob and Darkness, it’d be somewhat disheartening to imagine that the longstanding battle between crafty and clever Ben and rich industrialist Charles Widmore is essentially insignificant. There has to be more to it.

Yet, Ben was goaded into killing Jacob after decades of servitude simply by becoming a petulant, whiny, sore loser. Juliet reverses herself halfway through the “Stop Jack” mission, simply because Sawyer looked at Kate funny. And Jack admits that his talk about destiny was all a crock: he wants to detonate a deadly hydrogen bomb simply because he blew it with Kate. Sayid is shot, valiantly rigs the bomb to go off on impact, but it doesn’t. Juliet dies, but doesn’t, but does, because Jack didn’t detonate the bomb, she did. And Miles gets the throwaway line about how their actions are creating the events they’re trying to stop… all bringing us to the big dramatic blast that wasn’t, because it was effectively “defused” by all the character machinations that led up to it.

The preceding paragraph is essentially why Jen went to bed angry. Here’s hoping she’s feeling a little more charitable by the time we record our podcast.

Notes and Notions:

• Damon Lindeloff and Carlton Cuse hinted that the end of this Season 5 finale would be like the end of the Season 1 finale, and it was. Just as we saw nothing at the bottom of the hatch after Locke finally blew it open, we saw nothing after the bright white flash of Jughead. It’s a cliffhanger in only the faintest sense of the word. No tangible piece of what may come in Season 6 beyond “they’re coming.”
• If the “what’s in the box” teases weren’t enough, what’s the deal with Hurley’s guitar case? We know Jacob gave it to him, which is great, but… really? Will we just not know? Or will it be blasted into 2007 alongside Hurley to taunt us in Season 6?
• When Juliet said, “Live together, die alone,” didn’t you want to punch her in the face?
• Juliet’s death was wrenching, but probably would’ve been moreso if she hadn’t essentially dumped Sawyer two scenes earlier. It doesn’t look good for Sayid, either. And while it was good to see Phil get skewered, I really felt Sawyer deserved to have his death under his belt, rather than a random pipe.
• I’m not sure whether Jacob’s visits with all our characters were meant to direct them to their fates or change them. They made a point of showing him physically touch each of them, tapping Kate on the nose, holding young Sawyer’s hand a moment when handing him a pen. But it seems odd that Jacob helps revive Locke after falling from a high rise, but doesn’t do much more than give Jack an Apollo Bar.
• I really liked how Rose and Bernard were handled, even if I’m pretty sure this is the last we’ll see of them (beyond perhaps more explicit confirmation that they’re the “Adam and Eve” skeletons from Season 1). Their dismay at being found was hilarious. They got the lives they always wanted, they retired from the cycle of violence, and they’re happy to die as long as they’re together. Aww…
• We saw Vincent, too, but he’s now a mystery to me. If he survives the hydrogen bomb blast in 1977, he’s not likely to still be around in 2007. Unless he’s thrown through time along with Jack and friends. I can’t think of any other way Vincent makes it to the end of Season 6, as the creators seem to suggest he will.
• I liked how Bram called Frank a “yahoo.” Since it turned out that Frank was only pretending to be unconscious, I would’ve enjoyed having him pop up to respond to the word like he did in Season 4. He also got the great line, “In my experience the people who go out of their way to tell you they’re the good guys are the bad guys.”
• Talk about writing themselves out of a corner. Jughead already shrunk by several feet between “Jughead” and “Follow the Leader.” But after talking so much about its size and weight, turns out all we need is the core, which conveniently fits in a backpack. Now we can walk it over to the Swan!
• Some of the flashbacks were so short, and linked so plainly to the scenes that followed, I would’ve rather not seen them. Juliet’s parents got divorced, so that’s why she dumps Sawyer! Sayid watched Nadia die in the street, so that’s why he’s ready to die after being shot! Jacob recruited Ilana, and Jacob put Hurley on Ajira 316! It felt off.
• When Locke was thrown through the window, didn’t he bring a cascade of broken glass with him? The way he drops, singularly, with a thud before Jacob walks up seemed a bit strange. And were they suggesting Jacob saved Sayid’s life by pulling him back off the street?
• I can forgive Miles’ anvilicious “what if this causes the incident” epiphany because he also had the great line after Jack said the plan is not to go back in time. “Right, because that would be ridiculous.”
• Snarky Ben is fun. “I’m a Pisces.” Or, “I lied. It’s what I do.” Or when Sun asks Ben if he expects her to believe he doesn’t know about the statue. “Not really.”
• I liked that Sun found Charlie’s Drive Shaft ring in Aaron’s old crib, and that Charlie was mentioned in Jacob’s conversation with Hurley (along with Libby). Interesting how some long lost characters still get shoutouts, while many others don’t.
• Book: “Everything that Rises must Converge” by Flannery O’Connor. Interestingly, Jen’s working her way through an anthology of O’Connor short stories right now.
• Locations: Too many to list completely. Sun and Jin got married at the Byodo-In Temple in Kaneohe. Locke fell out of the Waikiki Landmark highrise on Kalakaua Avenue in Waikiki. Young Kate shoplifted from a small store near Haleiwa (the name escapes me at the moment, but we mentioned it on our podcast). Young Sawyer’s funeral was at a church in Ewa Villages. Hurley was released from the Oahu Community Correctional Center on Dillingham Blvd. Nadia was killed at the corner of Auahi and Kamani streets off Ward.

What did you think? Comment below, call the LostLine at (808) 356-0127, or e-mail us at lost@hawaiiup.com.

Each season, the penultimate episode is usually given the sad assignment of being the doormat for the season finale. And, like those that have come before, “Follow The Leader” had its share of trekking and shuffling and exposition, as the various chess pieces are moved into place for the final showdown. But as these “setup episodes” go, we really liked this one. Great character moments, solid conflicts, noticeably vibrant cinematography (about which we only periodically rave), and brisk pacing. We’re satisfied, and properly pumped up for next week.

True, we had not one, but two “recycled” moments last night. The first? They replayed the “Ellie Shoots Faraday” scene from Jack and Kate’s perspective. And to be honest, I briefly feared that the writers would pull a “magical moving bullet hole” trick, a la Ben. Instead, they went out of their way to show us that Faraday is truly dead… right down to the “hand over the eyes to close them” cliche that’s everywhere in movies and TV. But the second re-run moment was unexpected: Locke brings Ben and Richard to meet Flashing Locke at the drug plane. It was awesome to watch, but prompted the night’s biggest headache as we tried to plot out where and when Richard and Locke were, and when they knew what. Frankly, I wonder if they just wrote in the scene to solve the “infinite compass” question. Either way, though, it was fun to watch.

I loved Michael Emerson’s Ben this week, exasperated and snarky. His scenes with Locke were fun, yet significant, throwing the two “leaders” into sharp relief. I also liked the brief moments of chemistry between Ben and Alpert, both familiar and awkward. The scene where Hurley is outed as a time traveler was, of course, hilarious… especially since he’s stumped when asked who the president is in 1977. He asked that very question to Sawyer in “Namaste,” but Sawyer groused, “It’s not a damned game show.” But that same scene carried unexpected warmth, as well, when Miles admits to Dr. Chang that he’s his son… and Dr. Chang accepts it.

As far as chemistry goes, I was loving the interplay between Sawyer and Juliet. From the violent interrogation to their conversation on the dock (where Juliet says she’s still glad Sawyer talked her into staying, and he hatches a plan to get rich via Microsoft), it’s great how the show’s most out-of-the-blue coupling remains one of its most strong and mature.

Until, of course, Kate drops in, and is handcuffed next to Juliet, the two of them conveniently across from Sawyer. That moment was so cheap and forced, I actually thought I heard a cartoony needle-scratching-off-a-record sound effect in the back ground. And here I thought we’d at least make it out of Season 5 without returning to Season 1 romantic melodrama.

And I was just starting to warm up to Kate again, too. She’s assertive, skeptical, perceptive… a lot of the things she’s often not allowed to be for the sake of a twist. She’s the first (followed by Sayid) to point out that the last three years of their lives is not something to be discarded lightly. I liked her look of exasperation when Jack admits to being with Faraday, and her answer to Ellie when she asks whether Jack knows what he’s talking about: “He thinks he does.” She stands up to, and parts ways with, Jack, soon after delivering one of her best lines in recent memory: “Since when did shooting kids and blowing up hydrogen bombs become okay?” Evangeline Lilly’s acting was solid, not screechy, her glassy eyes tonight taking me back to Kate’s strong Season 1 moments. Alas, she then marches off… right back into a soap opera.

I’m certain that the fake-out, when Kate briefly thinks she’d been shot, is simultaneously a low- and high-point for those who aren’t a fan of her character.

And Locke. Something’s up with Locke. If Locke’s even Locke. Richard immediately notices something’s different about him, and I don’t think it’s because he has a “purpose” now. He’s confident and resolute, but he’s something else… and when he dismisses out of hand Sun’s hopes of reunification with Jin, I got a cold chill. And he wants to kill the allmighty Jacob, if he’s allmighty at all. Is doing so in service of a grand plan that Locke is executing? Perhaps. Or is it simply the folly of a man who thinks he’s ascended to a level higher than he has? There’s a dark side to the new-and-improved Locke. And while I said earlier that I didn’t think I could take one more rise-and-fall cycle for his long-tortured character, I feel as if another reckoning is coming for him.

Jen observed: Kate is turning into Jack, skeptical and assertive. Jack is turning into Locke, a blind believer. And Locke is turning into Ben, all-knowing but perhaps overconfident. My contribution? Sun is turning into Michael. Her one-dimensional “have you seen my husband” path of the last several episodes are becoming this season’s “Wa-a-a-a-a-alt!”

Finally, does Jack detonate Jughead? I’m still of the opinion that he doesn’t, or that whatever happens, it isn’t what you’d typically expect of a blast from a 40,000-pound hydrogen bomb. Indeed, tonight we learn that Jughead is actually parked right underneath Othersville. You know, the cozy cottages and grassy fields that still exist, intact, in 2007?

Notes and Notions:

• “LOST” has good hair days, and bad hair days. It also has good special effects days, and bad special effects days. I have to say, the dramatic departure of the Galaga falls into the latter category. It was pretty weak, which I guess has to be expected given a weekly show and budget. It would’ve been better for us just to assume its departure based on the activity inside… but I guess they had to show the submarine under way else we draw the conclusion that it doesn’t move at all.
• The casting for Younger Eloise is great. (As was the casting for Young Eloise in “Jughead.”) Alice Evans is absolutely believable as the precursor to stoic Mrs. Hawking. Her character’s struggle to process what Faraday said was great. And her motivations for helping Jack seem deliciously unclear. Does she really want to undo the death of a son she never knew? Or is the prospect of just blasting the Dharma Initiative to smithereens just too tempting?
• In 2007, Alpert makes brief mention of another group of Others/Hostiiles at The Temple. Meanwhile, we know on Alcatraz (a.k.a. Hydra Island), Ilana and friends are up to something as well. I think both of these largely unexplored parties will play a key part in the season finale.
• Sayid is back. He seemed to take the fact that Ben survived surprisingly well. I mean, he of anyone, now, should have a strong opinion as to whether what they’re doing (and what they’re about to do) is really changing anything at all.
• So, Jack is seizing his moment. But Jen wonders, as do I, when his epiphany took place. He seemed to more roll into his current mission than blast off from a specific spark of inspiration or realization. I was expecting considerably more fireworks to celebrate the instant he decided to act.
• Radzinkski is a vile man. And apparently can stage a coup just by telling Horace he’s in charge. At least we seem to know how his story ends, as a stain on the roof of his precious Swan. Given what Phil did to Juliet, I don’t suspect he’s long for this world, either.

What did you think? Please comment below, e-mail us at lost@hawaiiup.com, or leave a message on the LostLine at (808) 356-0127.

If the size of the post-thud headache is a reliable metric in evaluating the quality of an episode, “The Variable” may take top prize for Season 5. Jen and I are still trying to sort out the possibilities and impossibilities presented tonight. The man who preached emphatically that you can’t change the past finally returns, now emphatic that you can. Even our characters recognize the insanity of undoing everything that’s happened (essentially erasing the entirety of “LOST” to date). But just as Daniel Faraday gets rolling, he’s shot dead. By his mom. A mother who knew, in 2007, that he was sending his memory-addled son to that very fate.

My theory, such as it is? Faraday’s Jughead plan was doomed to failure, and will ultimately not change anything. But his death, his mother’s sacrifice, will instead be the key, the real “incident” that sets everything else in motion.

Why is Faraday wrong? Because he ended up telling Charlotte to leave the island, even though he didn’t want to, thereby closing the loop on one of his own “whatever happened, happened” moments. Because his supposedly radical conclusion — that people, and free will, are the key variables — is undercut by the fact that we’ve been shown that the meddling of our Losties in 1957 and 1977 were always part of the island’s history. And because, I think, we see him realize, with his last breath, what his mother was up to. He was never meant to go to the island to be healed or to save anyone. He simply had to die.

He simply had to die… for the first time. I’m struck by Eloise Hawking’s conversation with Penny, where she says with an obvious sense of wonder, “For the first time in a long time, I don’t know what’s going to happen next.” And she later tells Charles Widmore about sacrifice, about how she sent her son to the island knowing full well he would be killed (by her). Sacrificing her son, it seems, was something she only just barely found the strength to do. Something she’d never done before, which somehow allowed her to always know the future.

Yes, it’s still an attempt to change history, or change destiny, and I’m still not convinced it can be done. But if I ever suspected that Widmore and Hawking were playing at a wholly different level than any of the other characters, I’m convinced of it now. I only hope that whatever Hawking wants to change, it’s not erasing everything we’ve spent the last five years dissecting. That might be a bold move for the end of Season 5, but one that would ultimately be disheartening.

No question, the big questions raised in “The Variable” are worthy of a long conversation. But character wise, story wise, plot wise, it was… merely a good episode. One of those “set up” or “bridge” episodes, if you’ll pardon the expression. It brought a mix of reveals and confirmations, as we suspected Widmore might be Faraday’s father, and that Widmore planted the fake wreckage (meaning Miles’ chat with the dead guy in “Some Like It Hoth” was a fake out). The dramatic stakes were raised, once again via the separation of our Losties into two groups. We see things spiraling out of control, Faraday’s “four hour” countdown conveniently making the rest of the season a near real-time experience.

I was mostly disappointed in Faraday’s story. It simply felt rushed. We flew through his life, from his youth (torn away from the piano) to his graduation, through his experiments and expulsion from Oxford, to deciding to getting on the freighter. Theresa was but a mere blip, and the whole “Memento”-esque memory condition seemed awkwardly shoehorned in. (We did get our hint last season, though, via his memory test with Charlotte.) I mean, this is not the first time we’ve had an intriguing character with some key knowledge and connections… who ends up dying just when their significance begins to emerge (and at the end of a paint-by-numbers flashback episode).

Jen doesn’t want Faraday to be dead, but frankly, he better be. Another Ben-like resurrection at this point would be downright comical. I’d like to think we’ll still learn more about Faraday and his experiments (perhaps in flashbacks for Hawking or Widmore). His still unexplained tears at the sight of the fake wreckage suggests to me that, in true “Constant” fashion, a part of Miles’ scrambled brain was already in touch with his future self.

Notes and Notions:

• Jaters rejoice? Sawyer asks “Freckles” to come with him to the beach to start over, and Juliet immediately gives up the code to the sonic fence. Sawyer asks if Juliet still has his back, and her response is only to ask if he’s got her back. If they’re going to go back down that path, I only hope they save it for Season 6.
• I liked how young piano-playing Faraday told his mother that he could “make time.” Or how he, back on the island, knew when Dr. Chang would arrive at The Orchid, “right on time.”
• We still haven’t seen Jack’s “moment,” but it was amusing how he noted that it was lucky he was a janitor when they suddenly needed the keys to the gun safe. As one of our listeners noted weeks ago, maybe that was always Sawyer’s plan.
• Speaking of moments, Jack’s little speech to Kate about hers was pretty anvilicious. We know the both of them have yet to fulfill some grand plan, but to have that spelled out so melodramatically was jarring.
• Tonight brought a great reminder that some of our Losties spent some time in the 1950s, with Hurley’s line, “Like, Fonzie time?”
• Sawyer’s still got it in the nickname department. “Twitchy” suits frantic Faraday just fine. Bonus points for the straight-faced delivery of the line, “Your mother is an Other?”
• Not to be outdone, Miles tells Faraday, “I thought you’d gotten rich inventing the DVD or something.”
• Any numerologists want to sort out the significance of 141717?
• Locations: Oxford was, again, St. Andrew’s in downtown Honolulu. The Indian restaurant where Daniel got his notebook was Grand Cafe on Pauahi St. Can’t place the “Marina Medical Center.”

We definitely need help untangling this 100th episode of “LOST.” Please comment below, e-mail lost@hawaiiup.com, or call the LostLine at (808) 356-0127.