LOST Podcast: The Transmission

“Locke tasks Sawyer with a mission.” We’ll blog our thoughts as soon as we can (Ryan just landed back in Honolulu and may not be fully conscious), but we want to know what you thought about tonight’s episode. Share your feedback, thoughts, theories and questions by posting a comment below, e-mailing us at lost@hawaiiup.com, or calling the LOSTLine at (815) 310-0808.

This 108th episode of “LOST” took us back to the first few hours of this incredible show. We still don’t know whether “LOST” will succeed in answering enough questions and resolving enough loose ends. But the feel of the show, the growing sense of coming full circle after half a decade of storytelling, is fantastic. The spirit of “White Rabbit,” episode five from season one, was all over “The Lighthouse.” Jen thoroughly loved it. I enjoyed it. To me, some of the exposition and dialogue was a bit flat, and the ever clever fan-inspired commentary of Hurley was a bit too clever. But perhaps such things are unavoidable given the immense amount of explaining “LOST” will have to do in the limited time left. They need to spell it out for us, and they need to acknowledge how ridiculous some of it all sounds.

While on-island Jack is once again reaching a breaking point, off-island Jack is perhaps conquering his demons (his mom praises him for turning down a drink), acknowledging his daddy issues, and making amends with his son. His son! David plays piano like Jack, suffers under an overbearing father like Jack… and “has a gift,” perhaps also like Jack. But the big mystery now is, who is David’s mom? Whose house did Jack visit (and enter thanks to a key hidden under a white rabbit)? And why did she, frankly, miss David’s recital? David’s blue eyes made Jen think of Juliet immediately. Could we see her moving on, later this season, asking Sawyer out for coffee?

Jack’s inexplicable confusion over his appendectomy scar was intriguing. His appendix was removed by Juliet on the island, which could be one reason he doesn’t remember it in the LA X timeline. But his mother does. And seeing Dogen as a fellow parent was a nice touch. He perhaps is not as mysterious, special, or even immortal as we might have thought, if a twist in time leads him to being a dad in Los Angeles.

Mirrors and reflections continue to play a big part in this final season, perhaps never moreso than in “The Lighthouse.” There were literal mirrors, of course, but our requisite book reference is again “Alice in Wonderland.”

On the island, we find the lighouse, a major island landmark that nobody noticed because nobody was looking for it. Inside, another list of names, most of them crossed out, save for our dear survivors. Is it a different list than the one Unlocke showed Sawyer in the cave? Part of me thinks they’re the same list, and the cave scrawlings represent the efforts of Unlocke/Man In Black to track Jacob’s candidates. On the other hand, we see some names we didn’t see in the cave, most notably, “Austen.”

The lighthouse and its various degrees suggest that it was where Jacob “watched” his candidates, and perhaps guided them to the island. But rather than investigate further, angry Jack smashes the mirrors. At first it seemed ridiculous to me, how once again a major potential source for answers is conveniently destroyed. But in the narrative of Jack’s life, it makes sense.

In “White Rabbit,” Christian Shephard tells young Jack: “Don’t choose, Jack, don’t decide. You don’t want to be a hero, you don’t try and save everyone, because when you fail, you just don’t have what it takes.” We’ve seen Jack try to be the hero, and everything fell apart once he got off the island. We then saw Jack return to try and wait for his purpose to reveal itself, only to end up executing a plan that was apparently a catastrophic failure. Now, he finds a list of names that suggests that he’s part of a larger plan or game, and is also probably one of the last players still standing. That’d probably be enough to make anyone snap.

Of course, we’re still not convinced “Shephard” means him. Jacob’s first line to Sawyer after his name was pointed out on the cave wall was, “He’s not the only one.” And even though the mirror showed Jack’s childhood home, that house also belonged to Christian. Heck, we don’t know if the image of the house was from Jack’s past, or from the “LA X” timeline. A pity he had to smash the mirrors to bits.

And Claire. Creepy Claire. Jen said she was even scarier than Rousseau. And now the parallels are numerous. Claire, like Rosseau, has spent years living in the wilderness, setting traps, surviving, living in conflict with and hiding from The Others. And she’s also obsessed with finding her missing child. But it’s interesting that there’s a lot of old Claire in there, despite whatever sickness or darkness may have consumed her.

She says her father and “her friend” told her The Others have Aaron. Whether or not on-island Christian Shephard and Unlocke were one and the same (I wonder what form Unlocke took prior to the arrival of Ajira 316), I’m curious why they’d want her to believe her son was still on the island. Are they trying to encourage her to go to The Temple, or discouraging her? They’ve fed her paranoia and mistrust for three years, but to what end?

After what she did to Justin, we believe her when she says she’d kill Kate if Kate raised Aaron. But the whole conversation revives questions about how important Aaron actually is to the island, and also, why it matters who raises him. If Kate is truly motivated solely by reuniting Claire with Aaron, and Claire remains obsessed with finding her son, it looks like the kid will be key at the end of Season 6. Jin went out of his way to remind Claire how old Aaron is, which only made me think about the clearly older blonde boy that’s now haunting Unlocke. Taller Ghost Aaron indeed.

• This episode is at least the second time Hurley is given a message from an apparently departed spirit that is so important, he has to write it down. Charlie made Hurley write down his message for Jack in “Something Nice Back Home.”
• Jack’s son’s name is David. We’ve noted the role of Davids throughout “LOST.” Libby says her late husband’s name was David. Hurley’s dad was named David, as was Charlotte’s father. And Hurley’s imaginary friend was Dave.
• David is listening to music, but says it’s something Jack wouldn’t know. Easiest guess? Driveshaft. But if Driveshaft is a “one hit wonder” from a band led by a “bloody rock god,” why wouldn’t Jack know them? Since David is also a classical music buff, I’d like to think that in the “LA X” timeline, “Driveshaft” is a moody, artsy, acoustic indie band or something.
• What funeral was Margot and Jack talking about? Presumably Christian’s, meaning they eventually proceeded without his body. I’m wondering how much time has now elapsed since Oceanic 815 landed.
• Speaking of classical music, David’s choice of Chopin is the same as Daniel Faraday’s in “The Variable.”
• In addition to “White Rabbit,” this episode ties well to “Something Nice Back Home” from Season 4. It’s the episode where his appendix comes out, where his domestic bliss with Kate crumbles, and where he reads from “Alice” to Aaron.
• Shannon’s inhaler? Didn’t see that coming. The whole skit with Jorge Garcia at Comic-Con last year was apparently part of the master plan.
• Hurley fires off so many pop-culture inspired lines, I don’t know where to begin. He lied to a samurai. He described Jacob as being like Obi-Wan Kenobi. And he tells Dogen he’s a fan of “Indiana Jones.” But I’ll take any of those lines over the groan-worthy chat with Jack over Kate.
• Locations: David’s school, “St. Mary’s Academy,” is St. Louis School in Kaimuki. The “Williams Conservatory” recital hall is Central Middle School near downtown Honolulu. David’s mother’s house is a private residence on Malama Place in Manoa. Watch for updates on my Lost Locations website.

What did you think?. We’d love your thoughts, theories, and feedback below. You can also e-mail us at lost@hawaiiup.com or call the LOSTLine at (815) 310-0808.

“Inside joke.” A great line. A provocative line. A dangerous line. Through some uncharacteristically straightforward expository scenes, this episode pulls back enough to give us the best view yet of the chess board. The game is afoot, our survivors are pawns, and presumably, despite the Man In Black’s plan to quit the island, there’s another showdown brewing. Yet, is it just a game? A battle between two eternal rivals? On many levels, this makes sense. Since Season 1, we’ve envisioned the entire show as an epic, but simple, contest between two sides. But will it be enough? Jen’s worried it may not be. I’m expecting there’s much more to the story.

The Man in Black is trapped. He sees only futility. He says Jacob is wasting lives to protect an island that doesn’t need protecting. Yet as he says this, we think immediately of the sunken island we saw in the premiere. Perhaps the island is not so invincible. And could its destruction bring about a greater, even global, calamity? Possibly.

Do we want this Man In Black running amok in the real world, in any case? Probably not.

Meanwhile, as we piece together this conflict, it’s less obvious that either Jacob or the Man In Black is noble, or good, or right. Jacob has certainly destroyed many lives in the name of protecting the island. And when The Man In Black learns that Jacob never gave Richard the whole story, his sympathy seems real. Neither player seems innocent. The scale with the black and white stones was a nearly too literal illustration of the balance between both sides. A balance that the Man In Black has apparently disrupted. And a balance that I think will prove to be necessary. No matter how frustrated or flawed, whatever forces Jacob and the Man In Black represent, we probably need them both to stick around.

Who was the young boy who appeared in the jungle? My daughter, fixated on his blonde hair, says Aaron… apparently through yet another twist in the space-time continuum. Maybe he was an embodiment of Jacob, in his original or now recycled form. But the way he reminded the Man In Black of the rules, and the way the Man In Black protested with Locke’s signature line, made me think he may actually represent something bigger, or on a higher plane, than MIB and Jacob.

Or maybe he’s just “special” in the way Walt was, giving some hope that there might be some explanation as to what was going on with him throughout the first half of the series.

We also see “The Numbers.” As MIB said, Jacob has a thing for numbers, and each of our iconic numbers is assigned to one of our survivors, who are merely the latest batch of “candidates.” There are other names on the cave wall, with different numbers, all crossed out. Is this the extent of the explanation we’ll get for the numbers? As someone who thought “The Numbers” might just be a McGuffin, I’m fine with that. But I’m hoping there’s just a little more to them.

The dialogue and flashbacks suggest that “Shepherd” is Jack, though it’s fun to think it could mean Christian, or Claire, or even Ray. The stated ambiguity of Kwon (Sun or Jin) is an interesting twist. And if we’re willing to entertain the thought that the boy in the forest is Aaron, why not add Ji Yeon to the list of possible name interpretations. Not depicted in the cave wall roll call? Austen. I’m not sure if that means anything, though, since there were a lot of names we didn’t see, and there were a lot of people on Oceanic 815 that probably didn’t make the list.

And MIB crossed out Locke, his current — and apparently semi-permanent — human form. He explains to Richard that he took Locke’s form to get to Jacob… but I don’t think that was “the loophole,” since it was Ben who did the stabbing. I also figure this can’t be the first time MIB took the form of a “candidate.” I really like the theory a listener shared on our “LA X” podcast that “the loophole” meant Jacob could only be killed by someone carrying his essence (i.e. Ben, infused in the temple spring). I still think, however, it has something to do with who’s the “leader” at any given time. “Unlocke” was allowed inside Jacob’s lair because everyone thought he was the real Locke and thus the island’s current leader, but the highest ranking person was actually Ben, who was therefore capable of killing him.

What does it mean, though, that MIB is “stuck” looking like Locke? He did change into smoke monster form in the premiere, and apparently again tonight in the eerie island flyover. (They definitely cranked up the mechanical elements of the smoke monster’s sound.) If he just can’t look like another person, can he still become a horse? An inanimate object?

The interplay between Sawyer and “Unlocke” was great. As many predicted last week, Sawyer with nothing to lose is a dangerous thing indeed. Having him allied with MIB makes things much more interesting, and I suspect we’ll see more of our survivors choosing different sides. Yet, for all MIB says about Jacob manipulating people, he conned Sawyer pretty good himself. Tapping into his vulnerabilities, offering answers, and even saving his life. It seems clear that dramatic ladder sequence on the cliffside was orchestrated by MIB to earn his trust.

Notes and Notions:

• It was nice to see Jacob’s off-island visits with our survivors pay off, but really, Jacob’s “master plan” to push all of them to the Island was only introduced in the Season 5 finale. I’m hoping the writers do a little more, and reach a bit further back, to illustrate that they knew where everything was going from the beginning. Until then… it’s still interesting to note that some of his visits were pre-crash, and some were after the Oceanic 6 returned. Why?
• The off-island stuff is still surprisingly compelling. Locke living with Helen, but ready to give up miracles? A wedding where his father would be welcome? An alarm clock that sounds like the Swan hatch? Hurley slams Randy and offers Locke a lifeline. We see both Hurley’s psychic and Rose at the temp agency. And Benjamin Linus as a whiny European History teacher was spot on.
• On the “miracles” question, we’re of two minds. On one hand, it seems like Locke’s life off the island is devoid of worth and meaning. Yet what Rose and Helen tell him aren’t exactly “give up.” The message seems more an argument for reason, practicality, comfort and peace. He rips up Jack’s card because he’s done resenting his disability and daydreaming, and ready to start living.
• Jen asked if Locke somehow never saw Rose on Oceanic 815. It would’ve been great for there to be a glimmer of recognition in their scene together, which of course could be interpreted different ways.
• The temp agency scene? That was filmed in my office. They took over our entire IT department. Take a look at all the detail work that went into setting up the cubicles shown briefly in the background… even though you didn’t see any of it on screen!
• Other locations: Locke’s house with Helen is on Alelo Street in Waikele, literally across the street from the home Locke inspected for Nadia. The box company office where Randy fired Locke was in the Hawaiian Telcom building downtown. The parking lot where Locke met Hurley is behind the Gentry Pacific Design Center in Iwilei, across the street from my office. For details, check out my new site, LOST Locations.
• Books & Music: It was great to hear Sawyer talk about “Of Mice and Men” again. And Jen was impressed in Sawyer’s punk rock playlist: “Search and Destroy,” by Iggy and the Stooges.

What did you think? Please share your thoughts on “The Substitute” (Episode 6×04)! Commenting below is the best way to have your say. You can also email us at lost@hawaiiup.com, or call the LOSTline at (815) 310-0808.

Josh Holloway, you broke our hearts. Bravo. We had lowered expectations for this presumed “Kate episode,” and on most related points, we were right for having them. But for all the complaints we could readily recite from the cliché of Kate going after Sawyer actually being remarked upon to a largely flat and somewhat surreal off-island destraction — we did not hate “What Kate Does.” We both actually liked it.

And for Jen to say this about an episode with Kate’s name in the title, frankly, is no small feat for “LOST.”

On the character front, Sawyer’s crushing confession hit hard. We remarked last week that Josh Holloway’s descent into nihilism was a powerful turn, and our love for his talent only grew this week. Even saddled with on-the-nose lines like, “Do what you want with him, or anybody else,” he made us believe that this nearly redeemed man now had absolutely nothing to lose. And Dogen? Not since the introduction of creepy Benjamin Linus in Season Two have we been so confused yet simultaneously charmed by a new character. He’s mysterious and brooding, yet wry and funny… in a dignified way.

Jen thought Dogen’s pill presentation was very “Matrix.” And pointed out that Dogen’s leadership strategy, using a translator to add some distance between him and the people he leads, is something that Ben probably should have considered.

It’s a shame to think that this leader has to work with knuckleheads like Justin and (the now late) Aldo. But their two line debate over whether Jin is “one of them” or not was telling. The way Dogen was clearly concerned with Sawyer’s safe return, along with the recitation of names that Dogen called for when our losties were first brought to the temple, it’s obvious there’s something special about these specific people. Our people.

And on the mythology front, the reappearance of Claire before the final thud wasn’t even the most interesting clue. It was the diagnosis of poor Sayid, who’s not a zombie, but will possibly become one in due time. He, like Claire, has been “claimed,” and a darkness is growing within him. It seems that Claire is already lost to the dark side of the force, and the question is, who else has been so infected? The late Christian Shephard seems a good guess. These would be the agents of the Man In Black.

Claire did seem to be channeling a bit of Danielle Rousseau in her half second on screen, and she’s obviously been setting Rousseau-like traps. Also, the way Justin (or Aldo?) said Rosseau had been dead for a while seemed to suggest that perhaps our crazy Frenchwoman had a share of darkness within her as well. On the other hand, out of everyone on the island, she seemed most wary of “the sickness,” and the similarity between Sayid’s torture test and Rosseau’s car battery interrogation in Season 1 is obvious. I’m going to say Rosseau managed to steer clear of infection, just not of bullets.

One thing that stood out this week? Our friends at the temple seem to be big on free will and choice. After more than one physical scuffle with Jack, the burly guards obediently step aside when he finally decides he wants to talk to Dogen. And Dogen said Sayid had to take the pill — the poison pill — willingly. Indeed, the way Dogen asks Sawyer to stay, coupled with the way Hurley was told the alarm wasn’t to keep them locked in, suggests that our losties aren’t entirely the prisoners they think they are.

And what of the off-island storyline? There’s no doubt Kate had several moments of deja vu, from spotting Jack at the airport, to pulling the stuffed orca out of Claire’s backpack (the same whale that Aaron clutched in “Something Nice Back Home”), to hearing Aaron’s name. A name that even surprised Claire. So we get that there are links between the world where Oceanic 815 crashed and the world where it didn’t. But honestly it still seems like a distraction, a writers’ flight of “what if” fancy, particularly when the story we all thought we were following is still unfolding on the island. Sure, it was awesome to see Ethan again (talking about needles, no less), but we didn’t even see Unlocke, Alpert, Ben and friends this week. I can only hope to be wonderfully surprised with a big payoff further down the line.

• The zombie conversation was hilarious. But Miles topped it with, “We’ll be in the food court if you need us.”
• Dogen’s dry answers to Jack were great. “What’s that?” “A baseball.” “What’s this?” “Tea.” Reminiscent of Alpert’s explanation of a compass to Locke: “It points north, John.”
• Doc Arzt pulls the “Taxi Driver” “Midnight Cowboy” line, “I’m walkin’ here!” Just like Sawyer did when Christian hits him with the car door in “Two for the Road.”
• In contrast, Kate had some real clunkers. Her astonished lines with Sawyer in the temple as they looked at Sayid were, it seemed, practically a re-run of the same astonished conversation in the same dark corner as last week.
• So is this the end of the Kate-Sawyer side of the love triangle? I hope so. I’m not sure if I can take another go ’round. There definitely seemed to be some heat on the Kate-Jack side. I don’t care who Kate chooses. I just want her to choose and be done with it.
• It’s great to see Jin speaking English. And his desperate search for Sun is understandable. But they’ve been kept apart so long, I’m starting to forgetting the chemistry they had, and I’m afraid their reunification will be less Rose and Bernard and more “Waaalt!”
• Locations: Honolulu International Airport (LAX), Koapaka Street (where Kate left, then came back for, Claire), Hawaii Medical Center West (where Kate took Claire) and a home in Kahala (Claire’s would-be adoptive parents’ home).

What did you think of “What Kate Does”? right now! Commenting below is the best way to submit feedback, so you can share your thoughts with fellow listeners immediately. You can also e-mail us at lost@hawaiiup.com, or call the LOSTline at (815) 310-0808. We love hearing from you.